Stephen needs no introduction from us. He is a world famous conductor, musician, and Director of Music at King’s College, Cambridge. We refer you to his pages at King’s College for an introduction to his work.
Lynette is a singing teacher to the boy choristers of The Choir of King’s College, Cambridge. Between January 2007 and July 2010 she also worked as choral animateur for the King’s College Chorister Outreach Project (part of the national SingUP project), supporting local primary teachers in developing their pupils’ interest in singing. As part of the project she founded and still conducts King’s Junior Voices. Lynette is Director of Music at Wolfson College Cambridge where she conducts the college’s 50 voice choir and 16 voice chamber singers. At the CU Faculty of Music Lynette teaches the Vocal Health and Training component of the MMus in Choral Conducting Course and several of her MMus students have volunteered with KJV. She was an invited speaker at the International Society for Music Education conference in Greece in July 2012. Her secondary school years were spent at a state music specialist school where she gained her love of choral music singing in its award winning choirs. Lynette went on to study musicology at Monash University (BA) and then took a double honours degree (gaining a First) in singing and music education at Melbourne University (BMusEd). She gained her earliest teaching and conducting experience with some of the leading children’s choirs in Australia, including the Australian Boys’ Choir, the Young Voices of Melbourne and the Melbourne Youth Choir. As part of her music education degree she specialised in the Kodály Method and then taught at a specialist Kodály primary school. Whilst singing with the Victoria State Opera in 1991, she won the National Liederfest prize, allowing her to travel to London to continue her vocal studies. She began working with the Monteverdi Choir and Sir John Eliot Gardiner, singing as soloist on recordings including the Gramophone Award winning disc “The Choral Music of Percy Grainger”. She has sung as soloist with many of the UK’s top vocal ensembles, including understudying the alto lead in Deborah Warner’s controversial staging of Handel’s Messiah at English National Opera. Lynette is a member of the BBC Singers, Britain’s only full-time professional chamber choir where she does a 50% jobshare. She has performed with them at major music festivals in the UK and around the world and has sung at prestigious events such as the funeral of Princess Diana. In addition to a busy performing and recording schedule, the BBC Singers has an active learning and outreach programme which Lynette plays an active part. More about Lynette can be found on her website.
Rebecca Moulton is a music teacher working at Cambridgeshire Music. She teaches classroom music at both primary and secondary level as well as working with the government KS2 scheme Wider Opportunities. Although focusing on classroom tuition for Cambridgeshire Music, Rebecca has also organised several ensembles and choirs both in school and out; including the Cambridge Junior Choir between 2005 and 2008. She also teaches flute, recorder and singing. Rebecca obtained her Music BA in 2003 at Anglia Polytechnic University followed by a one year PGCE in secondary music teaching at Homerton College, University of Cambridge. She has sung soprano in various operas and concerts including solo performances for Chelmsford Opera Society (Merrie England), Cambridge Amateur Operatic Society (2nd Lady in The Magic Flute), Wolfson College, Anglia Polytechnic University’s Orfeo ed Euridice (Amore), and two concert performances in the Royal Albert Hall, one of them as part of the BBC Proms. Rebecca has also performed recitals in the Wolfson College lunchtime concert series and Magdalene College Music Society’s production of John Blow’s Venus and Adonis. Rebecca is enjoying developing her teaching skills and gaining experience working with Lynette Alcantara at Kings Junior Voices, and is thoroughly delighted to continue to support the choir.
Dublin-born pianist Adam McDonagh is a Samling Artist and a first-class honours performance graduate of the Dublin Institute of Technology Conservatory of Music and Drama. He has also recently completed the Master of Philosophy in Music Studies programme as a scholar of Queens’ College, University of Cambridge. Adam has performed throughout Europe, and for Irish radio and television. Since having moved to Cambridge last year, Adam has performed throughout the UK, including in venues such as Wigmore Hall, St Martin-in-the-Fields, and Sage Gateshead, Newcastle. Adam has been awarded 2nd Prize in the Irish Freemasons Young Musician of the Year competition, the Michael McNamara Performance Gold Medal and the Alan Gillespie Ulster Bank Award. He has been supported by the Robert Gardiner Memorial Scholarship, Arts Council of Ireland, Dun Laoghaire-Rathdown County Council and Music Network’s Music Capital Scheme. Adam is in high demand as a collaborative pianist and has acted as accompanist in the masterclasses of Patricia Bardon, Dame Emma Kirkby, Ailish Tynan, Dame Ann Murray and Maxim Vengerov. He has performed in the Dublin International Piano Festival, Boyle Arts Festival, Cambridge Brahms Festival, Westport Festival of Chamber Music, and has had masterclasses with eminent collaborative pianists such as James Baillieu on the Samling Artist Programme, Joseph Middleton on the Pembroke College Cambridge Lieder Scheme and Roger Vignoles as part of the London Song Festival.
Maggie trained to be a Primary School Teacher at Redland College of Education in Bristol, with Music as her main subject. From there she went to Papua New Guinea to spend four terms in a bush primary school, on Voluntary Service Overseas, before taking up her first teaching job in Cambridge at Arbury Junior School. She joined the CUMS Chorus in her third week in Cambridge, under David Willcocks and began a life-long commitment to choral singing – with CUMS on Fridays and the Bach Choir in London on Mondays – until her paralysed vocal cord brought it to an end ten years ago. After five years at Arbury she moved to Morley Memorial School as the music specialist and ran the flourishing choir at lunchtimes with the Headteacher, Dorothy Hurst – also a member of CUMS Chorus. They put on a concert every term for many years and Maggie also ran guitar and recorder groups. After taking early retirement Maggie turned her attention to administrative work associated with music. She had been running CUMS – the chorus and all three orchestras – for over twenty years and continued to do so until 2007, with more time to devote to it than previously. She was pleased to be asked to be the administrator on behalf of King’s College for the Sing Up outreach initiative, and has been KJV’s administrator since the beginning. She is very glad that King’s Junior Voices will be able to continue.
Originally from Savannah, Georgia (USA), Sharon Mays is a postgraduate student at Cambridge University on the MMus in Choral Studies. She is a member Selwyn College, where she sings in their chapel choir. Sharon graduated from Samford University (Birmingham, Alabama) with a Bachelor of Music in Sacred Music. During her time there she was the recipient of a dozen scholarships and worked closely with Philip Copeland, Paul A. Richardson, and Eric Mathis. As a member of Samford’s University Fellows Program, she continued her classical education through intense study of the “great books” with top faculty and students. An active choral singer, she sang in her church’s Cathedral Choir, her university’s A Cappella Choir, and a Birmingham-based Renaissance polyphony ensemble, Highland Consort. Samford’s student chapter of the American Choral Directors Association (ACDA) was developed significantly during her three years in leadership. Sharon applied her studies in sacred music through an internship at the Cathedral Church of the Advent (Episcopal) in Birmingham with Frederick Teardo where she assisted in leading the cathedral’s music department and various ensembles. She has studied voice as a soprano for six years, previously with Brad Diamond and now with Anita Morrison. In her last year of university she began organ studies with Frederick Teardo and now studies with Alex Goodwin.
Jack Thompson if currently studying towards an MMus in Choral Studies at the University of Cambridge. He is Organ Scholar at Corpus Christi, Cambridge.
Joanna Womack started her professional life as a solicitor in the City of London, working on company mergers and acquisitions and Stock Option Schemes. She soon saw the light, and moved to Cambridge, where she has worked ever since, first as a College Lecturer in Law and Tutor and then as Bursar and Treasurer in three colleges and the University of Cambridge. She has recently retired from her final job, as Bursar of Clare Hall, which is a graduate college focused on Research. She is Trustee of four other charities and Chairs two Cambridge pension schemes. All of these benefit from her long experience of financial management, budgeting and investment. She is particularly delighted to be supporting KJV, not only because of her interest in education but also because of her lifelong enjoyment of music, both as a rather tentative amateur singer (alto) and as a very keen opera lover.
After service as an Officer in the Army during the 1960s, he went into industry and started a manufacturing company producing industrial packaging and paper from recycled material; this became a ‘plc’ in 1985. In 1990, he changed career again and was accepted by Trinity Hall as a mature undergraduate to read History. He went on to complete a PhD and was elected a Fellow of Trinity Hall, and subsequently Domus Bursar of the college. He is a College Mentor for post-graduates in History and a Research Associate in the Centre of South Asian Studies. He has been a Trustee and Chairman of the Papworth Trust and the Varrier- Jones Foundation serving disabled people in East Anglia since 1982. He is a Deputy Lieutenant of Cambridgeshire, and was High Sheriff in 1996/7. At that time he was also Chairman of the Fitzwilliam Museum Trust. He has sung in the Messiah as a treble and as a bass.
Rupert Curwen is a founder of Ubisense Limited, a Cambridge hi-tech company, which builds real time location systems used in companies such as BMW and Airbus. He has twenty years of experience in software engineering, and leads the development of the company’s innovative applications, especially in the manufacturing sector. He has always been a keen amateur choral singer, beginning as a child, and continuing as a bass in University College choir, Oxford. Since moving to Cambridge in 1999, he has sung with the Wolfson College Choir and the Wolfson Chamber Singers, including several baritone solos. In 2009 he was one of the singers representing Wolfson in the massed Cambridge University choirs at the 800th Anniversary Prom, in the Royal Albert Hall. The same year he also sang Mahler’s 8th with Stephen Cleobury and the CUMS Chorus at Ely Cathedral.
Sarah is a Legal Director at an international law firm based in London, but has lived in Cambridge since 2009. Both her children have sung in KJV; the youngest is still an enthusiastic member of the choir. Sarah has been a keen singer since school days, and for many years sang with her local choir in London, the Hackney Singers, as well as joining other projects for amateur singers with the Hackney Empire theatre (performing in a Jonathan Dove opera) and the English National Opera (a staged performance of Bach's St. John Passion). In her role as Parent Trustee of KJV, she represents the views of the parents of choir members, and also provides legal input when needed. She helps at choir rehearsals as a parent volunteer, which is one of her favourite ways of spending a Saturday morning!
Nicola is a senior research associate and veterinarian in the Centre for Pathogen Evolution in the Department of Zoology. An alumnus of Wolfson College, Cambridge, her research interests focus on the antigenic and genetic evolution of viral pathogens, particularly influenza A viruses in both wild and domestic animals. She leads several international collaborative projects in a number of developed and developing countries, which focus on both internationally important scientific questions and encourage capacity building in the local animal health sector. Nicola was educated at Wells Cathedral School from the age of 7, where she was both an academic scholar and in receipt of a specialist provision music award. As an oboist she studied with Robin Canter and Douglas Boyd, performing in masterclasses with Celia Nicklin and Lady Barbirolli and toured extensively throughout Europe and the Far East, including concerto performances in Germany. She began choral singing from 7, performing with all Wells Cathedral School choral ensembles in diverse musical styles, which ranged from musical theatre to Britten’s Noyes Fludde; from Chapel Choir to Rutter’s Gloria conducted by the composer. At the University of London, although training to be a vet she continued her love of music, playing oboe under Stephen Jackson with the University of London Symphony Orchestra, Gilbert and Sullivan pit orchestra work and singing in numerous Cathedrals throughout the United Kingdom with the University of London Chamber Choir. On qualification she continued to dep for weekend services in various London churches including St Martins in the Fields. When she embarked on a PhD at Cambridge in 2006, she joined Wolfson College Choir conducted by Lyn Alcántara and both of her daughters sang in KJV when they were younger.
Gillian Perkins founded the Cambridge Music Festival and directed every festival until 2010. Under her directorship the festival became a national event, famous not just for its world class concerts, but especially renowned for the scope of its education and community programme. In an earlier life Gillian worked for BBC Radio 3, the Performing Right Society and for Eastern Arts (now Arts Council England East). Gillian lives in Cambridge with her husband who plays violin in a local orchestra. Their two sons were both choristers at King’s, and Gillian also worked with Stephen Cleobury to set up Easter at King’s, a series which she managed for the college until 2010, when she retired from both King’s and CMF. In retirement Gillian is a member of New Cambridge Singers, and a trustee of the London Mozart Players, the Ouseley Trust as well as KJV.
Frankie Williams is a consultant specialising in education, music and culture, is a Research Fellow at Anglia Ruskin University, Cambridge and is an assessor for Arts Council England. She taught music, advised and inspected across the 3-19 age range and was General Inspector (Music and Culture) for Cambridgeshire. She has worked with many cultural organisations including the BBC, The Sage Gateshead, CCH, Specialist Schools and Academies Trust, Aldeburgh Music and the Proms. Frankie has represented the UK in the areas of Music and Information Technology and Youth Orchestras. She is a governor of Hills Road Sixth Form College Cambridge and The Music Therapy Charity, a board member of Vocal Futures, Cambridge Music Festival, London Youth Choir, Kings Junior Voices, Cambridge Youth Music and an adviser to Dosoco and NYAT. Frankie has written articles and contributed to books on music, gifted and talented education, music therapy and the work of professional musicians in schools and was awarded a Finzi Scholarship in 2012.
Lucy is a Conservation Officer at the local Wildlife Trust with a specialism in surveying the wider countryside and providing local landowners with conservation advice, but she also enjoys carrying out practical habitat management. When not out in a field or woodland, Lucy is a keen amateur choral singer. Her singing career started as an undergraduate singing in St Edmund Hall Chapel Choir (Oxford), and when she moved to Cambridge in 2002 to undertake her PhD in Earth Sciences she quickly joined Wolfson College Choir and Wolfson Chamber Singers. Under Lynette Alcántara's musical directorship, Lucy's singing has thrived and includes highlights such as singing in the Royal Albert Hall at the Prom in celebration of the University of Cambridge's 800th anniversary in 2009 and several choir tours throughout Europe. It was only natural, therefore, for her two children to join KJV when they reached the appropriate age, and they both wholeheartedly enjoy the experience. As a governor at her children's primary school for four years, Lucy has gained much experience in the governance of educational settings. She has also been on a variety of other committees within her village and is currently part of the management team for a small nature reserve on Adams Road and also a volunteer on the Ffestiniog Railway, working on the track. Lucy is responsible for designing and maintaining the KJV website.
Jeremy Morris is Dean & Director of Studies in Theology of King’s College. He was Dean and Chaplain of Trinity Hall for nine years until he moved to King’s, and teaches theology and church history. He feels choirs are in his blood – he sang in his local church choir in his youth, and also with the headquarters choir of the Royal School of Church Music, He is married to Alex, a teacher, and they have three children. He has been elected as the new Master of Trinity Hall, Cambridge and will take up this new post in October 2014.
For more information about Marnus, please visit his website.